Wednesday, June 3, 2009
Monday, May 4, 2009
Monday, April 6, 2009
Sunday, April 5, 2009
Good video poetry integrates poem, image and music into a unified work of art. The whole being more effective than any of the elements presented seperately. Where the poem is dominant the eye absorbs the image and frees the ear to follow the spoken word. If the image dominates the captions or voice over enhances the course of the moving picture, reinforces it and gives it articulation and direction. The music, of course, supports and bonds poem and image.
Currently, we are witnessing the expansion in the use of the video poetry medium as a conveyor of poetry. Festivals in at least two cities (Chicago and San Francisco) hold festivals in which poetry video is a major element. The last forty years has conditioned the public to the dynamics of the visual medium and now we find more opportunities to present poetry during this era of community channels, film and video festivals, and other multi- media access venues.
Video poetry provides a format that may effectively be used by students as themes for short videos and films, as well as providing a modern vehicle for poets and the literary minded to carry their voices to larger broader audiences.
http://www.datawranglers.com/voices/poetryvideo/
Wednesday, March 25, 2009
Bozidar karic
10/B
L.a
The poem
Know this: there is always someone stronger then the strongest
My hood shields my face from the harsh winds,
Keeps the rain from hitting my face.
My hood keeps my eyes form wandering
To the side where the light aint so bright.
My hood keeps me on task; cant’ see distractions
Hide my profile I don’t need any one 2day.
Shadow over my face don’t want no one to see
My grace. Under the shadow of the hood
Crazy eyes lurk seeing everything but none is it.
Hoodies on heads when the night falls, under a hood a crazy head wanders.
Hood on my head hands in pockets might look suspicious,
These days you don’t know who is a cop or who is willing to snitch you out.
Paranoia hits you when your hood is on.
There is a thin line between me and trouble when I get out in the hood
Crime is the theme.
What do you know; who shot? Who ran? Who stole? Where he ran? Where are the goods?
Roaming the streets alone talking to myself
Like my boys are with me the street is cruel,
Getting you paranoid like someone is following you.
It also has no merci on young life kids pumped up on cocaine
Thinking they are scareface holding out guns but barley can lift them.
Thursday, March 19, 2009
2001年のドットコムバブルの 崩壊以降、ウェブの使い方が変化してきたとする。すなわち、情報の送り手と受け手が固定され、送り手から受け手への一方的な流れであった従来の状態が、送 り手と受け手が流動化し、誰でもがウェブを通して情報を発信できるように変化したということである。この変化を象徴する語として、変化後の状態を「Web 2.0」、それに対応する形で従来の状態を「Web 1.0」と呼んだ。
Web 2.0においては、情報そのもの、あるいは中核にある技術よりも、周辺の利用者へのサービスが重視される。そして、利用者が増えれば増えるほど、提供され る情報の量が増え、サービスの質が高まる傾向にあるとされる。Web 2.0の代表的なサービスとして、ロボット型の検索エンジン、SNS、ウィキによる文書作成システムなどが挙げられる。
具体的な技術を明確に指し示す用語ではなくマーケティング・ネットサービス業界で一人歩きして語られるため、「バズワード」とくくられる。それゆえ単なる宣伝文句として使用されることが多く、耳にする機会は多くとも、その実態の理解は浸透しなかった。2009年時点では死語となりつつある。
梅田望夫によると、Web 2.0という用語そのものは2005年頃から用いられてきたが、2002~2003年にかけてのAmazon.comの検索API (Application Programming Interface) 公開が、その端緒であるとしている[6]。